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State of Play (film) - Wikipedia. State of Play is a 2. British- French- American political thriller film. It is an adaptation of the six- part British television serial of the same name which first aired on BBC One in 2. The plot of the six- hour serial was condensed to fit a two- hour film format, with the location changed to Washington, D.
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C. The film was directed by Kevin Macdonald from a screenplay written by Matthew Michael Carnahan, Tony Gilroy, Peter Morgan and Billy Ray. The film tells of a journalist's (Russell Crowe) probe into the suspicious death of a congressman's (Ben Affleck) mistress. The supporting cast includes Rachel Mc. Adams, Helen Mirren, Jason Bateman, Robin Wright Penn and Jeff Daniels. Macdonald said that State of Play is influenced by the films of the 1. American Homeland Security and to a minor extent journalistic independence, along with the relationship between politicians and the press.
It was released in North America on April 1. The film received generally positive reviews. One night, a thief fleeing through Georgetown in Washington, D.
C., is shot by a man carrying a briefcase. A pizza delivery man who witnesses the incident is also shot by the killer and is left in a coma. The following morning, a young woman is killed by a Washington Metro train in what seems to be suicide. Congressman Stephen Collins (Ben Affleck) is distraught to hear that the woman was Sonia Baker (Maria Thayer), a lead researcher on his staff. Collins, who has military experience, is leading an investigation into Point. Corp, a private defense contractor with controversial operations involving mercenaries.
Collins tells his former college roommate and old friend Cal Mc. Affrey (Russell Crowe), an investigative reporter, that he had been having an affair with Sonia and that she had sent him a cheerful video message on the morning of her death, which he says is inconsistent and unusual behavior for someone about to commit suicide. Della Frye (Rachel Mc. Adams), a reporter and blogger with the online division of Cal's newspaper and its editor, Cameron Lynne (Helen Mirren), discover that Sonia's death occurred in one of only three CCTV blind spots in the Metro camera system. Cal believes the shootings are related to Sonia's death and finds a link between the petty thief and a homeless girl who sought out Cal.
The girl gives him photographs that the thief, a friend of hers, had stolen from the killer's briefcase. Watch Rampage: President Down Streaming. The photos show surveillance images of Sonia talking to a well- dressed man. Della visits the hospital where the pizza delivery man is regaining consciousness and witnesses his murder by an unseen sniper.
Later, she reviews CCTV footage and recognizes a man she saw at the hospital. It is later revealed that Point. Corp stands to gain 3. U. S. in 2. 00. 9) annually from its mercenary activities in the Middle East and domestically.
Cal speaks with Collins, who shares his research findings—Point. Corp is cooperating with other defense contractors to create a monopoly and purchase government surveillance and defense contracts, essentially privatizing United States security from the government. Cal's Point. Corp insider returns with the address of someone linked to the suspected assassin.
Cal finds the assassin living there and calls the police, who force the man to disappear after he shoots at Cal. Della, following a close lead, finds the identity of the well- dressed man who was speaking to Sonia in the listed photographs.
He is Dominic Foy (Jason Bateman), a PR executive working for a subsidiary of Point. Corp. Cal blackmails him into talking about his activities with Sonia and secretly tapes their conversation.
The PR executive reveals that Sonia was actually paid to spy on Collins and to seduce him to get information for Point. Corp, but she fell in love with Collins and was pregnant with his child when she was killed. Before Cal's newspaper goes to press, Collins goes on record to present his research into Point. Corp. Collins's estranged wife Anne (Robin Wright Penn), whose conversation with Cal seems to imply a past love triangle dating back to their college years, reveals that she knows the amount of money Sonia received from Point. Corp, after just hearing Collins's statement to the newspaper. After the couple leaves, Cal realizes that Collins knew already that Sonia was working for Point.
Corp. Cal wonders what Collins would have done had he known he had been tricked and whether Collins himself is connected with Sonia's assassin. A picture of Collins from his military days, with the assassin in the frame, confirms Cal's hunch. Collins reveals that he had been suspicious of Sonia, and that he hired the assassin to watch her.
The assassin is U. S. Army Corporal Robert Bingham (Michael Berresse), whose life Collins had once saved. Collins says that Bingham hated Point. Corp more than he did, and that he killed Sonia with no authorization from him. Cal tells Collins that he has three minutes to leave his office before the police arrive, as he has already contacted them.
As he leaves the building, Cal is confronted by Bingham. Officers arrive and shoot Bingham before he opens fire. Cal leaves and goes to his office. There, Cal and Della type up their own story, noting that Collins was secured and arrested. For the movie adaptation, certain names of characters were changed: Della's surname was changed from "Smith" to "Frye". Cameron's surname was changed from "Foster" to "Lynne," and obviously the character's gender was changed. Andrew's surname was changed from "Wilson" to "Pell".
Det. Bell's first name was changed from "William" to "Donald". Production[edit]The mini- television series was written by Paul Abbott and aired on British television channel BBC One in May–June 2. BBC America in April 2. Abbott was initially reluctant to sell the film rights to State of Play, fearing a compressed version of his mini- series would be unworkable, but in May 2.
Paramount Pictures- backed bid led by producer Scott Rudin was accepted.[4] The bid prevailed over an offer from Andrew Hauptman's Mission Pictures (backed by Warner Bros.), but the deal fell through before completion. After a second bidding war, Mission acquired the rights for Universal Pictures in December 2. Director Kevin Macdonald had long been attached to the project, though an early report suggested screenwriter Matthew Michael Carnahan was set to make the film his directorial debut.[6] Macdonald was a fan of the original mini- series, and said it would be a "hard act to follow". Watch Carry On Columbus Full Movie'>Watch Carry On Columbus Full Movie. He said it was the blend of fiction and the topical subjects of journalism and politics that attracted him to the project, adding that he wanted to examine the ways in which American and European societies learn what is going on in the world, and to what degree newspapers and the nightly news could be trusted. Watch Darkest Day Hindi Full Movie. He said that in an age when people read fewer newspapers, he wanted to explore the necessity for reliable information and the threat to the journalistic profession from collusion between reporters and politicians,[7] and that the film would "[ask] questions of how independent the press is, how much real investigating is conducted, and how much is taken on faith from lobbyists or PR sheets."[8] Macdonald cited the films of the 1. All the President's Men in particular, as major influences, saying that while he was scared of comparisons with the film account of the Watergate scandal, State of Play would primarily be a piece of entertainment.[7]According to Carnahan, the story's core issue (and main factor behind his desire to write the adaptation) was the question it raised about whether a person would be justified in doing "a pretty awful thing" if they were performing great deeds in other areas of their life.[9] Carnahan began working on revisions to his script with Macdonald,[8] but the process was disrupted when Carnahan's daughter fell ill.
TV Review: HBO Sports’ ‘State of Play: Trophy Kids’ – Variety. Going beyond X’s and O’s and wins and losses, HBO Sports’ “State of Play” brings much needed reflection and a wider lens to the sports universe — each episode tackling a topic in a cinema- verite- style documentary, followed by a panel discussion moderated by producer Peter Berg. Admittedly, it will be hard to top the premiere, “Trophy Kids,” which focuses on obsessive parents pushing children to excel in various sports — a brainier version of “Toddlers & Tiaras,” made all the more unsettling by the participants’ apparent obliviousness to how terrible they come across onscreen. If nothing else, it should become required viewing for youth- sports leagues nationwide.“Trophy Kids” finds parents living vicariously through their offspring in various endeavors — golf, tennis, high- school football and basketball — in a manner that frequently proves uncomfortable, particularly in those portions of the show that involve the youngest would- be stars, who hang their heads and pout as their dads (mostly) hector them.“Would you shut up or leave?” one of the older kids finally snaps during his basketball game, as his dad — who has quit working to devote time to landing his son a Division- 1 scholarship — loudly berates the officials from the stands. In another sequence, a father named Josh screams at his teary- eyed son, Justus, when the kid asks him to stop discussing football, shouting — questionably, given the available evidence — “You are not the adult here!”Berg, who has already collaborated with HBO Sports by producing boxing docu “On Freddie Roach,” clearly knows the territory, given his involvement with “Friday Night Lights.” But he also proves a more- than- adequate moderator in the 2. Larry Lauer and Todd Marinovich, the former USC and Oakland Raiders quarterback whose father consciously sought to mold him into a champion, thus earning the younger Marinovich the disparaging nickname “Robo QB.”As Marinovich notes, while things are fine when the kids are enjoying the thrill of victory, based on the way these parents suffer and fume when their children struggle or lose, “the proof is in how do you react when I play poorly.”HBO is already home to the Bryant Gumbel- hosted “Real Sports,” which is among the few regular franchises on television to bring aggressive and serious journalism to the world of sports. Based on this first of four installments, “State of Play” augments that profile, at a time when sports has become such big business that it’s incumbent on the media — often grappling with conflicts by being in bed with the various leagues — to step up their games.