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The Top 5. 0 Disney Songs. There are few things we at Earn This love more than a good musical — particularly a well- animated or - choreagraphed Disney musical. Let It Go” has yet to thaw from the Billboard Top 1. The Little Mermaid, a film that launched a thousand Buzzfeed “only 9. Thus, Brian, Colton, and I decided the time was ripe for our authoritative ranking of Disney songs. Grant abstained, citing his Y chromosome.)The three of us individually selected our top fifty songs, then we averaged the rankings for one mega- ranking. We wrote little blurbs about why we love each song, grabbed some screencaps, and assembled this article.

We’ve rarely had so much fun writing for the site. Please praise or criticize our selections in the comments. I’ve also put together a Spotify playlist of the songs in order so you can listen as you read.- Dan.

• We’ve all done it. Thrown ourselves onto the couch, phone in hand, determined to like only a few Instagram pictures of dogs in backpacks and inspirational.
• Dustin Lee Hoffman was born in Los Angeles, California, to Lillian (Gold) and Harry Hoffman, who was a furniture salesman and prop supervisor for.
• Are you there God? It’s me, Nelson. I’m mostly dead now. What did it all mean! What was it all for? It’s interesting for a host of reasons. It really is a nice.
• SEPTEMBER-DECEMBER 2016. Executive Director’s Letter Dear Bourbonnais Township Park District Residents: On November 3rd, 1986 the Bourbonnais Township Park District.
• Drums Along the Mohawk is a 1939 historical fiction color film based upon a 1936 novel of the same name by American author, Walter D. Edmonds. The film was produced.
• MSNBC Anchor Caught in Profanity-Laced Rant — Click Through to Watch the Video. Sep 21, 2017 • Post A Comment.

We take a look at some of the most satisfying spinoffs that have ever crossed your television screen, some of which even made history!

Ma Belle Evangeline – The Princess and the Frog. The criminally underrated Princess and the Frog features a few memorable songs, but my favorite is the heart- warming ballad “Ma Belle Evangeline.” Voice- acting genius and New Orleans resident Jim Cummings is accompanied by trumpeter Terence Blanchard, and he sings about falling in love with a star in the sky. Beautiful. – Dan. One Jump Ahead – Aladdin. Here’s a song that flies through a half- dozen styles in intensely cartoony fashion, and all before the genie is even introduced!  Most Disney movies actually come in pretty light on the slapstick, but Aladdin has it in spades.  It’s easy to miss some of the funny moments—musical and visual—as they rush by, so this one’s always worth another listen. Colton. 48. A Dream is a Wish Your Heart Makes – Cinderella.

This is one of Disney’s trademark songs, capturing the idealism and romantic outlook often associated with the studio. Disney Legend Ilene Woods pines for something magical to happen with innocence and optimism. In the animated sequence, her later verses are hummed with accompanying friendly animal pests (hilariously spoofed 5. Enchanted). – Dan. King of New York – The Newsies. The Newsies has a half dozen songs that could make this list (just ask Colton, who voted for each of them to make the cut). But among the most classic entries in Disney’s 1.

Dan. 46. A Spoonful of Sugar – Mary Poppins. Robert Sherman (one of the Sherman Brothers, Walt Disney’s crack song- writing duo throughout the 6. Polio vaccine in school.

When he asked if the vaccination had hurt, they said no: The medicine was injected into a cube of sugar, which they then swallowed. A Spoonful of Sugar” could be the anthem for the Disney brand.

Cynics may dismiss these films as cloying, and as promoting a naive worldview. But that bit of sweetness and sentimentality just might make the “medicine” of life’s grimmer moments a little easier to take. Brian. 45. The Mob Song – Beauty and the Beast. I can understand opposition to a song in a children’s movie that really wants to be titled “Kill the Beast”.  But come on!  At no point in my development from little boy to grown- up have I found this song otherwise than awesome.  Musically, it’s spirited and driving, full of gang vocals and dramatic strings.  Plus, torches!  And lightning!  And a battering ram! Colton. 44. Trashin’ the Camp – Tarzan“Trashin’ the Camp” is basically Phil Collins writing a song for Stomp.  I like both of those things, so I find it delightfully rambunctious.  Even if you aren’t a fan, consider that this is the only song in Tarzan ostensibly performed by characters within the flow of the movie.

Colton. 43. Zero to Hero – Hercules. What kind of music would go well with an ancient Greek epic?

If your first answer was gospel, you’re more creative than I am. I mean, I guess it kinda fits (Jesus WAS basically a demigod, after all). The idiosyncratic genre choice is introduced ingeniously, when a more stereotypical fanfare in the opening scene abruptly gives way to the film’s first song, “The Gospel Truth.” As I mentioned in my Little Shop of Horrors post, Menken had used the idea of a “Greek chorus” made up of sassy black women previously, but he takes the concept to the next level here, with the Muses (only 5…I guess the other 4 weren’t in the budget) serving as singing narrators throughout the movie.

They fill all their tunes with plenty of soul, but for me the fast- paced “Zero to Hero” takes the cake. – Brian. Prince Ali – Aladdin. Aladdin was the first movie I ever saw in a movie theater. Of course, that was on my third birthday, so I don’t really remember it. While I caught Return of Jafar on VHS and was obliquely aware of the TV series, it was many years before I actually saw the original film again. Sometime in the interim (8th grade, I believe), I went through a “Disney music in foreign languages” phase. Only then, while listening to the French version of “Prince Ali” did I realize the song’s brilliance: The Genie warps from place to place within the marketplace, assuming a dozen different identities to sing “Ali’s” praises and whip the real townsfolk into a starstruck frenzy.

Only one song in the movie better utilizes Robin Williams’ frenetic energy and improvisational skill…but we’ll get to that in a minute. Brian. 41. Zip- a- Dee- Doo- Dah – Song of the South. Song of the South is famous for two things: Its racism (“the production helps to perpetuate a dangerously glorified picture of slavery,” claimed the NAACP at its release) and “Zip- a- Dee- Doo- Dah,” its Academy Award- winning song. The former is a topic for another day. The latter is one of Disney’s signature upbeat melodies, infinitely listenable even 7. James Baskett’s charismatic vocal part. – Dan.

Bring Out the GIMP (Girls in Merciless Peril) October 2009 Archives. Discussion Forum for Extreme Bondage Fantasy Video. DVDs or Web. One month of eight years worth. Stagecoach is a 1939 American Western film directed by John Ford, starring Claire Trevor and John Wayne in his breakthrough role. The screenplay, written by Dudley. Watch the latest Featured Videos on CBSNews.com. View more videos on CBS News, featuring the latest in-depth coverage from our news team.

You’ll Be in My Heart – Tarzan. This is probably the only instance of a Disney song where the credits rendition is preferable to the original. The original in the film comes and goes too quickly; the version that closes the movie grows into something special. A moving profession of familial love, “You’ll Be in My Heart” has been rightfully acclaimed, winning the Oscar for Best Song and lighting up Billboard in 1. Dan. 39. Cruela de Vil – 1. Dalmations. One of Disney’s best villains gets one of Disney’s best villain songs (and best villain names). Songwriter Roger sings and plays all the instruments for a composition that mocks his wife’s “dearly beloved old schoolmate,” a wonderfully vile harpy obsessed with killing Dalmatian puppies to make a fur coat. – Dan.

Supercalifragilisticexpialidocious – Mary Poppins. Supercalifragilisticexpialidocious: It’s what you say when you have nothing to say. This conversational laxative and the accompanying melody provide some of the most memorable moments of Mary Poppins‘ animated sequence. In the scene, Mary and Bert are joined by a retinue of musical “pearlies,” members of an Edwardian- era charitable organization who dressed in eye- catching clothing covered with faux- pearl buttons. Though a nonsense word, their mantra has endured in our lexicon, and learning to spell it is a milestone for any devoted Disney fan. Brian. 37. Out There – The Hunchback of Notre Dame.

The Hunchback soundtrack is highly operatic, and some songs transition seamlessly, one into the next. Out There” is really TWO songs, joined perfectly: In Frollo’s opening segue (referred to variously as “Sanctuary” and “In Here”), he reminds Quasimodo that “the world is cruel, the world is wicked,” and that Quasimodo himself is a deformed monster, and must remain cloistered away in the belltower at all costs to preserve his own safety. But after twenty years of solitary confinement in his “sanctuary,” Quasimodo throws caution to the wind, desperate for just one day “out there” among regular people, who are “heedless of the gift it is to be them.” The hunchback’s soaring aria will make you want to live life to the fullest, and, well…go outside. Brian. 36. Savages – Pocahontas.

Stagecoach (1. 93. Wikipedia. Stagecoach is a 1. American Western film directed by John Ford, starring Claire Trevor and John Wayne in his breakthrough role.

The screenplay, written by Dudley Nichols, is an adaptation of "The Stage to Lordsburg", a 1. Ernest Haycox. The film follows a group of strangers riding on a stagecoach through dangerous Apache territory. Stagecoach was the first of many Westerns that Ford shot using Monument Valley, in the American Southwest on the Arizona–Utah border, as a location, many of which also starred John Wayne. Scenes from Stagecoach, including a famous sequence introducing John Wayne's character the Ringo Kid, blended shots of Monument Valley with shots filmed on the Iverson Movie Ranch in Chatsworth, California, RKO Encino Movie Ranch, and other locations. Similar geographic incongruencies are evident throughout the film, up to the closing scene of Ringo (Wayne) and Dallas (Trevor) departing Lordsburg, in southwestern New Mexico, by way of Monument Valley.

In 1. 99. 5, this film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry. In 1. 88. 0, a motley group of strangers boards the east- bound stagecoach from Tonto, Arizona Territory to Lordsburg, New Mexico Territory. These travelers are unremarkable and ordinary at first glance.[3] Among them are Dallas (Claire Trevor), a prostitute who is being driven out of town by the moralistic "Law and Order League"; an alcoholic doctor, Doc Boone (Thomas Mitchell); pregnant Lucy Mallory (Louise Platt), who is traveling to meet her cavalry officer husband; and whiskey salesman Samuel Peacock (Donald Meek). When the stage driver, Buck (Andy Devine), looks for his normal shotgun guard, Marshal Curly Wilcox (George Bancroft) tells him that the guard is off searching for the fugitive Ringo Kid. Ringo broke out of prison after hearing that his father and brother had been murdered by Luke Plummer (Tom Tyler).

Buck tells Curly that Plummer is in Lordsburg. Knowing that Ringo has vowed to avenge his father and brother, Curly decides to ride along as guard. As the stage sets out, U. S. Cavalry Lieutenant Blanchard (Tim Holt) announces that Geronimo and his Apaches are on the warpath; his small troop will provide an escort to Dry Fork.

At the edge of town, two more passengers flag down the stage and board: gambler and Southern gentleman Hatfield (John Carradine), and banker Henry Gatewood (Berton Churchill), who is absconding with $5. Further along the road, the stage comes across the Ringo Kid (John Wayne), whose horse went lame and left him afoot. Even though they are friends, Curly has no choice but to take Ringo into custody. As the trip progresses, Ringo takes a strong liking to Dallas.

Doc Boone gets drunk on Peacock's samples. When Doc Boone tells Peacock that he served as a doctor in the Union Army during the "War of the Rebellion," Hatfield quickly uses a Southern term, the "War for the Southern Confederacy."The stage reaches Dry Fork, but the expected cavalry detachment has gone to Apache Wells. Buck wants to turn back, but Curly demands that the group vote. With only Buck and Peacock objecting, they decide to proceed on to Apache Wells.

At lunch before departing, the group is taken aback when Ringo invites Dallas to sit at the main table, and Mrs. Mallory is clearly uncomfortable having lunch with a prostitute.

Hatfield gives Mrs. Mallory a drink from his silver folding cup, rather than have her drink from the canteen directly. She recognizes the family crest on the cup, and asks Hatfield whether he was ever in Virginia. He says he won the flask in a card game, but also that he served in the Confederate Army under her father's command. When the stage reaches Apache Wells, Mrs.

Mallory learns that her husband had been wounded in battle and has left; she faints and goes into labor. Doc Boone has to sober up and deliver the baby, and later Dallas emerges holding a healthy baby girl.

Later that night, Ringo asks Dallas to marry him, and live on a ranch he owns in Mexico. Afraid to reveal her checkered past, she does not answer immediately. The next morning, she accepts, if he will give up vengeance on the Plummers. He agrees. But she does not want to leave Mrs. Mallory and the new baby, so she tells him to go alone, and that she will meet him later. Encouraged, Ringo escapes - but then sees smoke signals heralding an Apache attack, and returns.

The passengers quickly gather their belongings and leave. The stage reaches Lee's Ferry, where Apaches have burned the station and ferry, and killed the station- keeper and his family.

Curly uncuffs Ringo to help lash logs to the stagecoach and float it across the river. Just when they think that danger has passed, the Apaches attack. A long chase scene follows, with stunt work staged by Yakima Canutt. Peacock and Buck are hit, and the party all run out of ammunition.

As Hatfield is about to use his last bullet to save Mrs. Mallory from being taken alive, he is mortally wounded. Just then, the 6th U. S. Cavalry rides up to rescue the stage. The stage finally arrives in Lordsburg.

Gatewood is arrested by the local sheriff, and Mrs. Mallory learns that her husband's wound is not serious. Peacock invites everyone to visit him in Kansas City.

Mrs. Mallory thanks Dallas, who gives Mrs. Watch Rememory Online Freeform. Mallory her shawl. As he dies, Hatfield asks Mrs. Mallory to tell his family that he died bravely. Dallas begs Ringo not to confront the Plummers, but he is determined to settle matters.

Curly lets him go (with a gun, but with just three bullets left after the Indian fight). Luke Plummer, hearing that Ringo is in town, gets up from a poker game, leaving a hand of aces and eights.

Plummer takes up a shotgun (an unfair weapon), but Doc Boone blocks his path, demanding that he leave it - or kill Doc first. Plummer leaves the shotgun, to Doc's relief, and joins his two brothers.

A shootout follows, which is heard but not seen. Ringo reappears, having killed the three Plummers, and surrenders to Curly, expecting to go back to prison. He asks Curly to take Dallas to his ranch. Ringo boards a wagon and says goodbye to Dallas, and Curly invites Dallas to ride with them to the edge of town.

After she climbs aboard, Curly and Doc laugh and start the horses moving, letting Ringo "escape" with Dallas. Production[edit]Development[edit]The screenplay is an adaptation by Dudley Nichols of "The Stage to Lordsburg," a short story by Ernest Haycox. The rights to "Lordsburg" were bought by John Ford soon after it was published in Collier's magazine on 1. April 1. 93. 7.[5] According to Thomas Schatz, Ford claimed that his inspiration in expanding Stagecoach beyond the bare- bones plot given in "The Stage to Lordsburg" was his familiarity with another short story, "Boule de Suif" by Guy de Maupassant.[6] Schatz believes "this scarcely holds up to scrutiny"[7] and argues that a more likely inspiration was Bret Harte's 1.

The Outcasts of Poker Flat".[citation needed]Ford's statement also seems to be the basis for the claim that Haycox himself relied upon Guy de Maupassant's story. However, there appears to be no concrete evidence for Haycox actually being familiar with the earlier story, especially as he was documented as going out of his way to avoid reading the work of others that might unconsciously influence his writing, and he focused his personal reading in the area of history.[5]Although Ford had made many Westerns in the silent film era, he had never previously directed a sound Western. Between 1. 92. 9 and 1.

Wee Willie Winkie (1. Shirley Temple.[8] Ford declined to use Wayne in any of his projects during the 1. Wayne to wait until he was "ready" as an actor.

In 1. 93. 8, Ford gave Wayne a copy of the film's script by Nichols with a request to recommend an actor to play the Ringo Kid. After reading it, Wayne suggested Lloyd Nolan for the part, but Ford was non- committal to the idea.